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Showing posts with label Doris Day. Show all posts
Showing posts with label Doris Day. Show all posts

A Very Special Day

Julie (1956, MGM)

The Glass Bottom Boat (1966, MGM)

Move Over Darling (1963, 20th Century Fox)

The legendary Doris Day turns 89 today; we'll be honoring her legacy by cozying up to as many Louis Jourdan, Rod Taylor and James Garner lookalikes as we possibly can.


DORIS DAY
April 3, 1922

A Very Special Day

Julie (1956, MGM)

The Glass Bottom Boat (1966, MGM)

Move Over Darling (1963, 20th Century Fox)

The legendary Doris Day turns 89 today; we'll be honoring her legacy by cozying up to as many Louis Jourdan, Rod Taylor and James Garner lookalikes as we possibly can.


DORIS DAY
April 3, 1922

Queen Joan


Was there every any real doubt as to who would ultimately wear SSUWAT's coveted crown? Joan Crawford's entire life was an upward struggle to succeed, and she fiercely protected and defended the image she had worked so hard to create and maintain. It's easy to make fun of Crawford: the exaggerated eyebrows, shoulders and lips; the overly coordinated ensembles (with plastic-covered handbags and f*ck-me pumps to match); the intensity she would bring to scenes and dialogue that sometimes cried out for a lighter touch; the endless spate of tacky Mommie Dearest jokes.


But, in the end, Joan Crawford deserves our respect for her unyielding devotion to the business of being a Movie Star. Whatever her talent was as an actress -- and we do think Crawford's abilities are often given short shrift -- it paled in comparison to the frighteningly focused way she managed her fame and her public. No one played the game better than Joan Crawford, and she rarely let the facade drop. If Joan's biggest failing as a human being was her complete lack of empathy for those who were less driven than she, it must be noted that she demanded no more of her children, co-workers or employees than she demanded of herself -- it's just that very few others possessed her superhuman capacity for self-discipline.


In compiling our list of the dozen most-frequently-posted divas (who actually comprise the Top 10; there were two "ties" with equal numbers of posts), Joan Crawford far outpaced the competition; we have featured her no less than 135 times! Her closest competition was, ironically, her old nemesis Marilyn Monroe, who logged 66 posts -- tying her with rival bombshell Jayne Mansfield. The "runners up" who didn't make the Top 10, but still have been featured over 20 times a piece are:


Arlene Dahl

Doris Day

Ann-Margret

Sophia Loren

Barbara Stanwyck

Arlene Francis

Susan Hayward

What sayeth thou, fair readers? Who do you think deserving of a place in the Top 10? Who should be edged out of the current crop? Discuss!

Queen Joan


Was there every any real doubt as to who would ultimately wear SSUWAT's coveted crown? Joan Crawford's entire life was an upward struggle to succeed, and she fiercely protected and defended the image she had worked so hard to create and maintain. It's easy to make fun of Crawford: the exaggerated eyebrows, shoulders and lips; the overly coordinated ensembles (with plastic-covered handbags and f*ck-me pumps to match); the intensity she would bring to scenes and dialogue that sometimes cried out for a lighter touch; the endless spate of tacky Mommie Dearest jokes.


But, in the end, Joan Crawford deserves our respect for her unyielding devotion to the business of being a Movie Star. Whatever her talent was as an actress -- and we do think Crawford's abilities are often given short shrift -- it paled in comparison to the frighteningly focused way she managed her fame and her public. No one played the game better than Joan Crawford, and she rarely let the facade drop. If Joan's biggest failing as a human being was her complete lack of empathy for those who were less driven than she, it must be noted that she demanded no more of her children, co-workers or employees than she demanded of herself -- it's just that very few others possessed her superhuman capacity for self-discipline.


In compiling our list of the dozen most-frequently-posted divas (who actually comprise the Top 10; there were two "ties" with equal numbers of posts), Joan Crawford far outpaced the competition; we have featured her no less than 135 times! Her closest competition was, ironically, her old nemesis Marilyn Monroe, who logged 66 posts -- tying her with rival bombshell Jayne Mansfield. The "runners up" who didn't make the Top 10, but still have been featured over 20 times a piece are:


Arlene Dahl

Doris Day

Ann-Margret

Sophia Loren

Barbara Stanwyck

Arlene Francis

Susan Hayward

What sayeth thou, fair readers? Who do you think deserving of a place in the Top 10? Who should be edged out of the current crop? Discuss!

Miss American Pie

Before we reveal the identity of our latest Mystery Guest (which eluded all of you!), let's have a look at all of your incorrect guesses. We normally don't do this; but the contrast between your contenders and the actual subject is just too, too delicious!


Top row: Doris Day, Elizabeth Taylor, Sophia Loren; Middle row: Shelley Fabares, Audrey Hepburn, Sandra Dee; Bottom row: Marilyn Monroe, Leslie Caron, Brigitte Bardot

Glamorous ladies, all; but not the lady in question. Are you ready, possums? Here she is, boys; here she is, world; here's...


...MAMIE!!!

Yes, those fabulous frocks were designed by Arnold Scaasi for Mrs. Eisenhower. Just as Jacqueline Kennedy would epitomize the sleek sophistication of the early 1960's, Mamie Eisenhower was the walking embodiment of the affluent, upwardly mobile, conspicuously consumptive, yet decidedly middlebrow 1950's: the kind of woman who would want a mink coat and a Scaasi dress as status symbols, but who also clipped coupons, served tuna noodle casserole, and cast a suspicious, disapproving eye on the burgeoning social upheaval around the corner. It's a forgotten fact today, but during her husband's administration, Mamie was something of a fashion icon, idolized as the ultimate 1950's housewife: she was named to several best-dressed lists; purchased gowns from such high-end designers as Scaasi; and her 1953 Inaugural Ball gown (by Nettie Rosenstein) caused a sensation.


Interestingly, at the same time that Mrs. Eisenhower was patronizing Scaasi, so was her successor. A long-sleeved ruby dinner gown with a scalloped neckline from Scaasi's 1959 collection caught the eye of Senator Kennedy's beautiful young wife while she was shopping at Bergdorf Goodman, and later made for a striking portrait. The mouth waters at the thought of a dressing room confrontation between Mamie and Jackie, a la The Women, or better yet, a run-in at the ladies' lounge, as in Valley of the Dolls! Disparaging what she perceived as Mrs. Eisenhower's stuffy style, Jackie later wrote in a letter to her fashion mentor, Diana Vreeland, as her husband was on the presidential campaign trail, that she needed "my own little Mollie Parnis," a wicked swipe at the soon-to-be-departing First Lady's personal designer. Mrs. Kennedy also got in a pointed dig at Mamie's iconic inaugural gown; Jackie's would be "in perfect taste -- so simple and beautiful -- not lots of Nettie Rosenstein pailettes."

She and her Scaasi: Jacqueline Kennedy, 1959

Comparisons, of course, are odious; and there couldn't be two more dissimilar women. Jackie Kennedy's soon-to-be-revered style had its strongest influence from the Parisian haute couture, while Mamie Eisenhower's style was squarely rooted in middle America; and, as such, perhaps the choice of Arnold Scaasi for some of her most important gowns was not so surprising, after all. For, although his training and background was in haute couture (in Paris at the House of Paquin, and in New York with the legendary Charles James), Scaasi's trademark exuberance, opulence and more-is-more aesthetic was completely in-sync with the bigger-is-better zeitgeist of the All American Fifties. Witness his 1959 silk damask gown for Mrs. Eisenhower, specially created for a dinner with Soviet premier Nikita Krushchev; Scaasi reputedly recommended gold to be worn in order to symbolize the United States' wealth and power.


Mrs. Eisenhower purchased several gowns by Scaasi in 1959 and 1960; their bouffant- and bubble-skirted lavishness are in direct contrast to the slim shifts and sheaths that Jackie Kennedy (who preferred her bouffants and bubbles on her head) would be photographed in, courtesy of Oleg Cassini (with a little help from Givenchy). But they typify an era, as witnessed by the catalogue of starlets you SSUWAT-ers named as possible answers. Marilyn Monroe, Audrey Hepburn and Sandra Dee couldn't be more disparate "types," but they all are forever etched in amber as icons of the 1950's. So is Mamie Eisenhower, and the dresses Arnold Scaasi designed for her are masterpieces of time capsule fashion.

Mrs. Eisenhower in a full length version of the floral dress featured in our original post

For more fascinating reading about Scaasi and his fabulous coterie of clients, we heartily recommend Scaasi: American Couturier by Pamela A. Parmal, "with contributions by William DeGregorio" -- SSUWAT's longtime friend and supporter, Billy D! It's a delicious companion piece to the current exhibition of Scaasi's work at the Museum of Fine Arts in Boston, where Billy was Textile and Fashion Arts Department Assistant -- an exhibit we dearly hope to visit in person before it closes on June 11, 2011. Besides being a fine read and a visual treat, imagine our delight to find a hidden SSUWAT reference in one of the book's captions, courtesy of Mr. DeGregorio -- all the more reason for each and every one of you to run out and buy a copy!